EINHERJER

North Star

Napalm
rating icon 8 / 10

Track listing:

01. The Blood And The Iron
02. Stars
03. West Coast Groove
04. Ascension
05. Higher Fire
06. Echoes In Blood
07. Listen To The Graves
08. Chasing The Serpent


Despite being around since 1993, one brief hiatus aside, EINHERJER still wear their underdog status as a badge of honor. The very notion of Viking metal is continually in a state of flux and the genre is reliably hard to pin down, but these Norwegian veterans have steadily evolved into one of the most fearsome and singular forces to operate beneath that banner. And as with 2018's widely hailed "Norrøne Spor", their ninth full-length album hammers home the superiority and distinctiveness of what they do.

More importantly, "North Star" is an agreeably monstrous heavy metal record. Where some bands become willfully bogged down in atmospherics and faux spirituality, EINHERJER seem to have recognized that if Vikings walked the Earth today, they would be listening to this, rather than eight minutes of wistful fiddle and the sound of sticks being bashed together. Opener "The Blood And The Iron" says it all: four minutes of driving, balls-out metal, melodic at its core but rooted in the windswept dissonance of the blackened, frozen north. "Stars" is even more evocative, with its funereal, Dio-era BLACK SABBATH gait, ghoulish, post-punk reverberations and a gritty, metal-as-fuck chorus. EINHERJER's subversive way with words is back for "West Coast Groove" — an unlikely title for a Viking metal song, until you remember that Norway has a West Coast as well. Regardless of its title's provenance, it's another gruffly straightforward and rowdily anthemic affair with a blistering lead break from guitarist Ole Sønstabø.

Three songs in, and "North Star" takes a decisive turn toward the epic. "Ascension" maintains the momentum and is still built from urgent, nails-hard metal riffs, but here the Norwegians' allow their ideas to expand across seven, languorous minutes of slow-build malevolence. Elsewhere, "Listen To The Graves" employs a lumbering, doom ethos to mesmerizing effect, before erupting into bellicose, frostbitten thrash mode. "Chasing The Serpent" digs deep into the melodic sensibilities of '80s metal, like some malicious echo of the past brought to vibrant life, but with intermittent flashes of prog ingenuity.

Author: Dom Lawson
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).